Like an amoeba we are creativity in action #creativeHE

Amoeba image from http://www.enchantedlearning.com/paint/subjects/protists/amoeba.shtml

The open online course Creativity and Higher Education is making me think.  Chrissi asks what is the difference between face to face and online? I say it’s the pedagogy of uncertainty – there’s so much you don’t know and can’t predict. Then Chrissi asks what is the difference between traditional online and open courses? Even more uncertainty. The open structure – emergent ideas – changes in direction – we’re creating as we go along – responding to the unexpected – like an amoeba the course is alive and moving about, ever changing its shape. How exciting is that? We are ‘creativity’ in action.

Last week I blogged about feeling less creative than I thought. This week’s activity reaffirmed it. Identify 3 things you would not use in your teaching.*  It was so difficult. I thought everything could be used to demonstrate some point or other. The best response was Jonathan Purdy (from Australia but distance means nothing online)  who used categories. What do his teaching tools need to do and does the object support it. I took the question literally and thought Jonathan’s more lateral approach was a perfect example of creative thinking.

In  my early HE days as Widening Participation Project Officer I worked with John Knowles who coordinated a Day at University for school pupils in Hull and Lincolnshire. These days were creativity in action. I still remember counting in Japanese! The #creativeHE activities remind me of De Bono’s Hats and Buzan’s paperclips from those days. It was the turn of the century – 2000-2004 – when the internet was new and social media hadn’t happened. How much has technology changed what we do? Have VLE encouraged or dissuaded creative approaches to learning and teaching?

Google site header
Feel the google-fear and do it

On the course I’m setting up a group looking at digital creativity (yes that’s right folks – feel the google-fear and do it!) At the SRHE Conference in December I’m presenting on the the Digital University  and at Bett Technology in January I’ll be talking about TEL adoption. One of my themes is the creative use of VLE – or the absence of anything posing a serious challenge to the dominance of the Lecture – so this might be a useful opportunity to share ideas.

Lectures remain the commonest teaching activity in higher education. Often accompanied by presentation slides – usually powerpoint, for many this is the limit of their digital discoveries. Lecture content might make it onto the VLE – before or after the main event – but there are still those who believe if they put their lecture notes online their students won’t attend.

The commonest word in the literature of VLE is transform e.g. the transformative power of elearning and VLE as transformers of higher education but we’re still waiting. Most VLE resemble digital document dumps. Examples of the creative digital campus are isolated in pockets with widening divides between those who do and those who don’t (i.e. get the whole digital thing).

butterfly transformation image from http://quotesgram.com/quotes-about-growth-and-transformation/

I feel for anyone who teaches or supports learning and is told here’s the VLE, get on with it. Affinity for digital education is not intrinsic. If tech is not part of your life or subject-expertise how can you be expected to develop digital confidence. It’s a question which has taken a long time to be asked. The risk is those with the answers are not those who understand what techno-fear feels like. We need more creative ways to manage digital adoption.

Next week in the group I’m going to ask for member’s thoughts on creative digital environments. Discussions might go off in directions I haven’t even considered. This is the challenge, the fun and the power of digital education. For a short period of time we have come together in a virtual collaboration. When the course is ended we’ll go off in our separate ways, but hopefully richer and more creative for having taken part in this unique learning experience.


* Activity – name three things you would not use in your teaching

Alcohol – during my first degree a psychology lecturer asked for a volunteer to drink vodka so we could assess the influence on cognitive abilities – during the hour she became more impaired and struggled for the rest of the day. It felt wrong then and still does – I like a glass of wine on a Friday night and another one (or three) over the weekend but for me alcohol and work never go together.

creepie crawlies and slidey slimies – I couldn’t bear the thought of carrying them around never mind having to study them close up – yuk!

Unlike Mrs Heerkens in Holland, I won’t be stripping down to latex body suit any time soon.


https://www.youtube.com/watch?v=JRtW4D0ycA8c

 

My #twistedpair are Klimt and the Venus of Willendorf

Still processing last week in Vienna (culture and cake – what’s not to like?!). Reflecting on the art and history, my #twistedpair are Klimt and the Venus of Willendorf.  I’ve used them as tools for considering the nature of knowledge – in particular the need for information literacies (of the digital kind) in order to support the validation of online search results.

All over Vienna the gold bricolage style of Klimt can be found on fridge magnets, plates, cups, bookmarks and note books. Klimt led the group who built the Secession in Karlsplatz; a building designed to provide gallery space for alternative artists with the phrase To every age its art, to every art its freedom above the entrance. Born in Vienna, Klimt died there in 1918.

image of Klimt art from souvenir shops in Vienna

We know he was an expert draftsman who could paint faces like photographs but chose to develop a unique style which has become widely recognisable, for example the stylised collage construction of the Kiss and Adele Bloch-Bauer 1. Personal letters, photographs and contemporary records contribute to a knowledge base which helps recreate his ambitions, motivations and inspiration. Today, the internet makes it possible to gather a mass of Klimt information which can be confirmed or rejected through access to academic peer reviewed literature and documentary films. In this way differences between facts and personal, maybe biased, opinion can be explored.

In contrast, knowledge about the Venus of Willendorf statuette poses a challenge. Currently residing in the Vienna Naturhistorisches Museum, Ms Willendorf is a case of once seen unlikely to be forgotten. Breaking a number of 21st century taboos around female nudity, in much the same way Klimt broke conventional expectations around art, both Klimt’s stylised images and the Woman from Willendorf have become iconic images of their age.

image of the Venus of Willendorf statuette in National History Museum in Vienna

Named after the place of her discovery, a village above the banks of the Danube between Vienna and Spitz, she is just over 4 inches tall and carved from oolite limestone with a physical curve which suggests an intention to be held against the palm of a cupped hand. The latest dating is 30,000 years BCE but her original purpose is unknown. Debate continues about the lack of face, the apparent braiding covering her head, the absence of feet and any meaning which might have been originally attached to her body shape. Most of the knowledge we have is speculative and  can be seen to be largely influenced by the social capital of the writer. For example, compare the description by Christopher L. C. E. Witcombe with the information from the Brooklyn Museum.

Unlike Klimt, there is less of a reliable knowledge baseline about Ms Willendorf but an internet search will bring up a number conflicting opinions about them both. Unless distinctions can be made between peer reviewed offerings and personal opinions, it can be a challenge for the digitally naïve to distinguish between what is reliable and what should be discarded.

To be digitally capable involves understanding the potential limitations of digital knowledge. Higher education institutions are looking to find ways to support students develop digital graduate attributes, for examples embedding digitality into curriculums as in the Making Digital Histories work at the University of Lincoln   (follow @MakDigHist and https://www.facebook.com/makingdigitalhistory). One way to encourage critical reflection on the validity of digital knowledge is setting tasks like these – unlikely pairings and reflecting on how to authenticate what is known about them. Not forgetting the need for institutional support for academic staff to develop their own digital pedagogies and practices as well.

all images my own…

Do you keep a blog?  

cartoon showing a newly hatched chicken reverencing a paradigm shift

Doug Peterson says ‘One of my first questions when I meet an educator is what’s the address of your blog?’ Doug’s JISC piece lists reasons for having an online presence. These include blogging for research, employability and simply yourself. One of the reasons I hear for not blogging is not having anything to say. Really?  Nothing? Doug says there’s no such thing as a bad blog. Well, with respect, I disagree. There are plenty of blogs which are too long, too wordy and plain boring but I get his point. Better to blog badly and have an online presence rather than not at all. It’s about digital engagement. Social media are creating niche networks within higher education. Activities like blogging and tweeting emphasise divides between those who do and those who don’t. The gap is getting wider but it’s largely invisible. Like attracts like. If you do it’s with others who do. If you don’t you are less likely to be reading this in the first place.

This week I picked up from a tweet a piece in THES by Bob Harrison about making FE more of a digital experience. Here is the same old language of technology transformation. ‘Hopefully says Bob, ‘this time the transformative potential of technology for learning will be recognised rather than ignored’ People have been saying this since 1997 and the Dearing Report into the future of higher education. Today’s use of technology is mostly limited to uploading documents to a VLE. While this offers 24/7 access to information, the VLE can do so much more in terms of collaborative interaction. The problem is shifting from a repository approach to an activity one. Bob says we need ‘critically, refreshed workforce skills’, a ‘paradigm shift in how learning programmes are designed, delivered and assessed’ (cue favourite image!) and it’s ‘important to remember technology-enhanced blended learning is not a cheap option.’  We know all this. It’s the doing it which is the problem. The article linked to an Opinion piece in the TES about teaching digital literacy.

(This is the risk of social media – one thing leads to another and another until an hour is gone – does this make me digitally literate, a champion procrastinator  or internet addict?)

Matt Dean says ‘FE needs to work out how to teach digital literacy.’  It was reminiscent of the 2007 blog post about technically illiterate teachers. The question for Matt is not should we teach digital literacy, but how to do teach it well. Good question but Matt is writing about students. The academic staff perspective is missing. HE have the same issues. I think we need to go back further and look at how teachers develop their own digital skills and identities in the first place. To see digital capabilities as ways of being and seeing as well as knowing which buttons to click. Digital divides are growing but for most institutions, access has become less of an issue than meaningful engagement. This is where help is needed. Rather than ‘teach digital literacy’ in isolation, it should be embedded in the curriculum to help ensure digital graduate attributes. In staff development and teacher education programmes to support staff trying out digital pedagogies and practices in safe supportive environments.  We not only need to change what we do but change how we think and this is the challenge.